Food Diagram and Shock Octaves

[Russell Smith]

A student’s dialogue in BLUE,
My corrections in BLACK.

Dear Student,

I am only responding to you as I don’t want to diminish your response with my corrections.

Hopefully, I didn’t mistype any of it 🙂 or I’ll need to correct my corrections.

Hi, all,

I want to pass on what I understand of the shock octaves on page 75, since this is one of the most practical of all of Russell’s expositions.

Doh! All my expositions are extremely practical.

We are starting an ascending octave on the right side of the diagram, labeled ‘Affirming Octave’ and going from Do 96 to Do 192. You might label it ‘Food’, using the food octave as an example on page 85.
Keep comparing this discussion with that example. After ‘harnel-miatznel’ = ‘blending of the higher with the lower to produce the middle’, using ‘Carbons’ already available in the body, the food gets to Mi 120. So we first get stuck at Mi 120, because there is a ‘gap’ between Mi and Fa. (The reason for the gaps at Mi-Fa and Ti-Do are not really explained until Chapter 7, page 136, so for now just take it as a consequence of the ‘diminishing of the increase in vibrations’ at these points in the octave.) Russ explains on p. 136 that these gaps are also the places in the octave which are not spanned by oscillations in other ‘outer’ octaves sharing notes with this one.

Blending/carbons good stuff. However, it is tough trying to explain that you need shock octaves because of gaps.

Re-read Chapter 5 and study the diagram, "Denying Forces".

Shock octaves have nothing to do with the gaps.

Many people have tried to make the gaps the reason why shocks are needed but it is only from their lack of knowledge of how things actually work that they persuaded us to believe in their folly.

Thus, we all have suffered the dilemma that MI-FA needs a shock and TI-DO needs a shock… but SO-LA doesn’t need a shock because SO-LA is not a gap nor a retardation in the rate of acceleration like the MI-FA and the TI-DO intervals are. SO-LA is just a Harnel-Aoot. Doh!

The Way Up Was The Way Down.

There are Three Forces (three DO’s) in the ratio 12-10-8 coming down. These DO’s exist at the notes DO-288, LA-240, and FA-192 of the 12 octave (DO-288 to DO-144).

There are three octaves in the ratio 8-10-12 going up. They must be created at the notes DO-96, MI-120, and SO-144 of the 8 octave (DO-96 to DO-192).

The Three Forces exist at the notes DO, LA, and FA (12-10-8) on the way down. Shock octaves must be created at the notes DO, MI, SO and TI (8-10-12-15) on the way up. Note: We will discuss TI (the 15) below.

The DO’s that enter at DO, LA and FA, stop other DO’s from going up or down and create harmonic places of existence, i.e., oscillations. To escape these oscillations, i.e., to overcome the forces that exist at DO, LA and FA we must create shock octaves at MI and SO (and also at TI… or TI can be assisted by feeling the presence of the top DO reaching down to it (seeing the oasis, etc.).

If you do not get help at MI (an assisting octave) you will encounter a DO that exists at FA (most people call it the denying force). But as I explained, on page 56, when we went through Cosmic Secrets… it is just where another affirming force (DO 64) enters… and how that affirming force stops the ascension of DO 48, because the force of 48 up, which started at DO 48, will only have a remaining force of 32 up when it reaches FA 64. At that point… DO 64 (which lives at FA 64) enters with the potential of 64 up or 32 down. And when it’s 32 down encounters your 32 up… you get stopped (see the diagram, Denying Forces).

We need help. A shock octave (DO-60) must join our army at MI-60 or we will never overcome the army that enters at FA-64 and asserts its 32 down against us.

Also study the Chapter 5 homework where you calculated 5 octaves.

The central octave is the octave that is trying to go up.

Notice how the DO’s of the two octaves to its right, correspond to the central octaves FA and LA (and also its own top DO), are the three DO’s that keep this octave from ascending.

Notice how the two octaves to its left, which join with it and "further evolve together" with it, must be created at its MI and SO (plus how either a third octave must enter at its TI or its TI needs to ‘see the oasis’), and how these octaves on the left are the shock octaves that help it overcome the denying octaves on the right.

Notice that if a new octave starts at note Food Mi 120 (Do 120 of the first Shock Octave–label it ‘Air’), then the new shock at Do 120 has the same vibration as Mi 120, so that they can combine (they are in resonance= the same vibration) to get the Food Octave (Affirming Octave, p 75) over the Mi-Fa interval. So the food is oxidized to become a new energy, usable by the body (Adenosine tri-phospate, or ATP, made by the mitochondria: the universal energy-supplying molecule for our cells, as well as all of the other nutrients which continue on). And the food goes merrily up its octave of transformation by the process of ‘harnel-miatznel’ until it hits the Ti-Do interval (gap) at Ti 180 and stops. Meanwhile the air octave proceeds by harnel-miatznel to Air Mi 150 and stops.

Again we are not trying to overcome the MI-FA interval or any interval. We are just trying to get past the forces that enter at FA and later on at LA and even later on at DO… thus we do need three shock octaves to join us. One at MI. One at SO. And one at TI, or TI has the other possibility… to see the oasis.

Enter the Impressions Octave, (2nd Shock Octave, p 75) at Do 144!

It is the second shock octave. But technically, in terms of the Food Diagram, it is called the first conscious shock… as the air shock, "air shocks food", is the automatic shock.

Self-Remembering = the first conscious shock.

Transforming Emotions = the second conscious shock,

IF we self-remember, the impressions actually go in, and proceed by harnel-miatznel to Impressions Mi 180. The Self-Remembering, according to the diagram on page 85, seems to actually occur at 150, just after impressions have entered at Do 144, but before they reach Re 162. I say that because it shocks the air octave at Air Mi 150 so that it can get to Air Fa 160. Without Self-Remembering, we get neither Impressions Re 162 or Air Fa 160!

The deal is, impressions should move by Harnel-Miatznel but the Carbon-12 they need to blend with is in the wrong place.

If we can bring Carbon-12 to the place of incoming impressions we will be able to remember ourselves — see Chapter 9 Fourth Way, (it’s akin to pedal starting a motorcycle).

Jumping on the pedal creates a spark (carbon-12) at the place where the gas enters. Jump again, and again, and finally the motor starts. Now the running motor creates its own spark, which is fed back automatically to the pace where the gas enters.

The motorcycle is now jumping on its own pedal.

In the Food Diagram, the shock is to the impressions at DO-144, which become RE-162. The production of RE-162 is what causes the air at MI-150 to also be able to go to FA-160 and overcome the force that exists at FA-160. See the Denying Forces Diagram and double its math, so that it represents the math of the Food Diagram (80 down cancel 80 up… unless you get DO-144 to join you back at SO-144).

Remember it is also like that for the food shock. Sometimes I say, "Air Raid" – Air-Re’d… which means Air made it to RE-135, which causes the food at MI-120 to be able to also go to FA-128 and overcome the DO-128 of the army that awaits it there.

I know that this can boggle the mind of the uninitiated… but keep studying the Diagram of the Denying Forces.

Likewise, if no impressions go to RE-162 no air will ever be shocked to FA-160. Air can not overcome the DO-160 that exists at its FA, unless it gets an army of impressions to join it back at SO-144 (relative to the Food Octave), which is where DO-144 of the Impressions Octave (the 12) enters.

Food = 96 (8). Air = 120 (10). Impressions = 144 (12)

DO, MI, SO… 8, 10, 12… The Three Forces… The Chord.

Now harnel-miatznel proceeds with the Air octave up to Air La 200, and with Impressions to Impressions Mi 180, when again both are stopped. (Remember, octaves only go by themselves up to La. Could we get Air Ti 225, Russ, and if so, how?).

Yes… but to show you I would have to kill you (see the Three Bodies Diagram).

We have gained 6 new energies by self-remembering!

Technically there are 5. Man goes from 11 Notes a Needing to 16 Man’s Remembering (see the Christmas Work Song).

Then, should we be able to transform negative emotions, we can initiate shocks at Impressions Mi 180 and Food Ti 180 to get more energies: Impressions Fa 192, (and So 216, La 240, not shown on p. 85??), and Food Do 192. According to my understanding of Russ’s exposition, the Impressions Fa 192 helps to sound the Do 192 for the food octave, in effect ‘reaching down’ to get the food octave over the Ti-Do interval. Or another way to say it, the Mi-Fa shock at the Impressions octave resonates and also becomes the Ti-Do shock at the Food octave.

Almost. As stated above, the shock octaves are needed at MI, SO, and TI (or TI can be assisted by feeling the presence of the DO reaching down to it… seeing the oasis, etc.).

The second conscious shock or the transformation of negative emotions occurs where the Impressions Octave is at MI-180 and the Food Octave is at TI-180. Whether an external force enters at MI-180 as an outside shock or the completing principle reaches down from DO-192 to TI-180 as an inside shock… all 180 goes to 192, thus both advance.

In the Board Game, Transforming Emotions affects MI-180 and causes MI-180 to go to FA-192 if you have it… or it affects TI-180 and causes TI-180 to go to DO-192 if you have it… or it affects BOTH simultaneously, i.e., whatever is at 180 goes to 192.

One thing I learned from the 3D Cosmic Weave model: when we have octaves joined like this at the ‘forces’, La and Fa on the way down, the Do and La (or Do and Fa) are not actually different notes, but THE SAME note, starting a new octave. So in the diagram on p. 75, we might be able to say that Impressions 192 and Food 192 are sounding the same note? That’s another question for Russ. Likewise it’s a question for me about Self-Remembering starting not at 144, but at Impressions 150.

There is only one 192. In Chapter 6 and 7 you will learn that most vibrations are shared by seven octaves. Thus, what happens for one 192 happens for all 192’s.

See above answers to better understand, "Where do shock octaves occur?"

I hope this is of help. It was an instructive exercise for me to go through it. To answer your last question: Mi has always been a point of shock: the "Mi-Fa" interval. The note SO is not, but it is the place where you need to START the 2nd shock octave in order for it to help at the Ti-Do interval of the Affirming Octave.

MI is a point where a shock octave must be created to overcome the Force that exists at the FA of that octave.

SO is a point where a shock octave must be created to overcome the Force that exists at the LA of that octave, which is also the note FA of the first shock octave.

TI is a point where a shock octave must be created to overcome the Force that exists at the top DO of the octave itself, which is also the note FA of the second shock octave. Note: TI can also be assisted by feeling the presence of the DO reaching down to it (seeing the oasis, etc.).

Again study Cosmic Secrets. The answers to everything are contained therein. Study the diagram of Denying Forces to understand why we need shock octaves and study Chapter 9 Fourth Way for preliminary Food Diagram information.

As best I understand it….

Russ, I am CC-ing you on this. Please send along any comments, clarifications, or corrections, when and if you have time (see questions in bold – in blue text).
Yours,

There you go. I hope this helps. I will leave it up to you to decide how everyone else receives this corrected information.

Love,

Russ

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